All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source. |
SOUTH AFRICAN QUALIFICATIONS AUTHORITY |
REGISTERED UNIT STANDARD THAT HAS PASSED THE END DATE: |
Read and interpret a musical score |
SAQA US ID | UNIT STANDARD TITLE | |||
253174 | Read and interpret a musical score | |||
ORIGINATOR | ||||
SGB Music | ||||
PRIMARY OR DELEGATED QUALITY ASSURANCE FUNCTIONARY | ||||
- | ||||
FIELD | SUBFIELD | |||
Field 02 - Culture and Arts | Music | |||
ABET BAND | UNIT STANDARD TYPE | PRE-2009 NQF LEVEL | NQF LEVEL | CREDITS |
Undefined | Regular | Level 5 | Level TBA: Pre-2009 was L5 | 30 |
REGISTRATION STATUS | REGISTRATION START DATE | REGISTRATION END DATE | SAQA DECISION NUMBER | |
Passed the End Date - Status was "Reregistered" |
2018-07-01 | 2023-06-30 | SAQA 06120/18 | |
LAST DATE FOR ENROLMENT | LAST DATE FOR ACHIEVEMENT | |||
2024-06-30 | 2027-06-30 |
In all of the tables in this document, both the pre-2009 NQF Level and the NQF Level is shown. In the text (purpose statements, qualification rules, etc), any references to NQF Levels are to the pre-2009 levels unless specifically stated otherwise. |
This unit standard does not replace any other unit standard and is not replaced by any other unit standard. |
PURPOSE OF THE UNIT STANDARD |
The qualifying learner will apply basic music literacy to enable musical performance.
Qualifying learners will be capable of: |
LEARNING ASSUMED TO BE IN PLACE AND RECOGNITION OF PRIOR LEARNING |
It is assumed that a learner will be competent in:
|
UNIT STANDARD RANGE |
N/A |
Specific Outcomes and Assessment Criteria: |
SPECIFIC OUTCOME 1 |
Recognise and interpret clefs, time signatures and key signatures. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
The recognition of the four most common clefs (treble, alto, tenor and bass) is demonstrated by naming and writing them. |
ASSESSMENT CRITERION 2 |
The identification of pitches written in any of these clefs is demonstrated by naming the relevant pitch. |
ASSESSMENT CRITERION 3 |
The recognition and identification of commonly-used time signatures is demonstrated by naming and describing them according to musical convention. |
ASSESSMENT CRITERION RANGE |
The range of time signatures includes, but is not limited to:
|
ASSESSMENT CRITERION 4 |
The grouping of note values and their implications for accentuation in the various metres is demonstrated according to conventional practice. |
ASSESSMENT CRITERION RANGE |
The range of metrical stresses includes, but is not limited to irregular grouping such as syncopation. |
ASSESSMENT CRITERION 5 |
The principles by which key signatures are arrived at are explained and demonstrated according to conventional practice. |
ASSESSMENT CRITERION 6 |
The implications of the use of key signatures and/or accidentals in designating tonality or modality in a given score are explained and demonstrated. |
SPECIFIC OUTCOME 2 |
Follow a musical score. |
OUTCOME RANGE |
The range of scores should include, but is not limited to:
Four-part choral works or instrumental quartets, works for small orchestras, bands or jazz combinations and accompanied choral works. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
The ordering of the instrumental/vocal parts is identified in a given score. |
ASSESSMENT CRITERION 2 |
Indications of instruments, tempo markings and other expressive directions in selected scores are identified and explained according to standard music practice. |
ASSESSMENT CRITERION 3 |
The musical texture of defined sections is identified and discussed using appropriate musical terminology. |
ASSESSMENT CRITERION RANGE |
The musical textures may include, but are not limited to, homophony, polyphony, monophony and degree of density. |
ASSESSMENT CRITERION 4 |
Examples of specified compositional techniques are identified and explained using appropriate musical terminology. |
ASSESSMENT CRITERION RANGE |
Techniques includes, but is not limited to:
|
SPECIFIC OUTCOME 3 |
Identify inaccuracies in relation to the musical score that is being performed. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
The use of the designated instruments/voices is identified as correct or incorrect. |
ASSESSMENT CRITERION 2 |
The tempo markings and expressive directions are identified as being interpreted or not interpreted within accepted musical practice. |
ASSESSMENT CRITERION 3 |
Pitches and rhythmic patterns are identified as performed accurately or inaccurately. |
ASSESSMENT CRITERION 4 |
Structural indications are identified as being correctly or incorrectly interpreted. |
ASSESSMENT CRITERION RANGE |
The structural indications include, but are not limited to:
|
UNIT STANDARD ACCREDITATION AND MODERATION OPTIONS |
UNIT STANDARD ESSENTIAL EMBEDDED KNOWLEDGE |
UNIT STANDARD DEVELOPMENTAL OUTCOME |
N/A |
UNIT STANDARD LINKAGES |
N/A |
Critical Cross-field Outcomes (CCFO): |
UNIT STANDARD CCFO IDENTIFYING |
Identify and solve problems associated with analysing a musical excerpt using responsible decision-making and creative thinking. |
UNIT STANDARD CCFO WORKING |
Work effectively with others as a member of a team when demonstrating aural and listening abilities while performing. |
UNIT STANDARD CCFO ORGANISING |
Organise and manage oneself and one's activities responsibly and effectively in demonstrating musical listening and aural abilities in performance. |
UNIT STANDARD CCFO COMMUNICATING |
Communicate effectively using appropriate modes of oral and/or written persuasion to analyse and interpret a musical excerpt for performance. |
UNIT STANDARD CCFO DEMONSTRATING |
Demonstrate an understanding of the world, as a set of related systems by recognising that problem solving in demonstrating musical aural and listening skills occur in a variety of contexts. |
UNIT STANDARD ASSESSOR CRITERIA |
REREGISTRATION HISTORY |
As per the SAQA Board decision/s at that time, this unit standard was Reregistered in 2012; 2015. |
UNIT STANDARD NOTES |
N/A |
QUALIFICATIONS UTILISING THIS UNIT STANDARD: |
ID | QUALIFICATION TITLE | PRE-2009 NQF LEVEL | NQF LEVEL | STATUS | END DATE | PRIMARY OR DELEGATED QA FUNCTIONARY | |
Fundamental | 59589 | National Diploma: Music | Level 5 | NQF Level 05 | Passed the End Date - Status was "Reregistered" |
2020-07-30 | As per Learning Programmes recorded against this Qual |
Elective | 67354 | Further Education and Training Certificate: Piano Technology | Level 4 | NQF Level 04 | Passed the End Date - Status was "Reregistered" |
2023-06-30 | CATHSSETA |
PROVIDERS CURRENTLY ACCREDITED TO OFFER THIS UNIT STANDARD: |
This information shows the current accreditations (i.e. those not past their accreditation end dates), and is the most complete record available to SAQA as of today. Some Primary or Delegated Quality Assurance Functionaries have a lag in their recording systems for provider accreditation, in turn leading to a lag in notifying SAQA of all the providers that they have accredited to offer qualifications and unit standards, as well as any extensions to accreditation end dates. The relevant Primary or Delegated Quality Assurance Functionary should be notified if a record appears to be missing from here. |
NONE |
All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source. |