All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source. |
SOUTH AFRICAN QUALIFICATIONS AUTHORITY |
REGISTERED UNIT STANDARD THAT HAS PASSED THE END DATE: |
Use reverb to create room simulation and effects |
SAQA US ID | UNIT STANDARD TITLE | |||
114563 | Use reverb to create room simulation and effects | |||
ORIGINATOR | ||||
SGB Music Industry | ||||
PRIMARY OR DELEGATED QUALITY ASSURANCE FUNCTIONARY | ||||
- | ||||
FIELD | SUBFIELD | |||
Field 02 - Culture and Arts | Music | |||
ABET BAND | UNIT STANDARD TYPE | PRE-2009 NQF LEVEL | NQF LEVEL | CREDITS |
Undefined | Regular | Level 4 | NQF Level 04 | 7 |
REGISTRATION STATUS | REGISTRATION START DATE | REGISTRATION END DATE | SAQA DECISION NUMBER | |
Passed the End Date - Status was "Reregistered" |
2018-07-01 | 2023-06-30 | SAQA 06120/18 | |
LAST DATE FOR ENROLMENT | LAST DATE FOR ACHIEVEMENT | |||
2024-06-30 | 2027-06-30 |
In all of the tables in this document, both the pre-2009 NQF Level and the NQF Level is shown. In the text (purpose statements, qualification rules, etc), any references to NQF Levels are to the pre-2009 levels unless specifically stated otherwise. |
This unit standard does not replace any other unit standard and is not replaced by any other unit standard. |
PURPOSE OF THE UNIT STANDARD |
The purpose of this unit standard is to enable learners to use room simulation techniques with specific types of equipment. |
LEARNING ASSUMED TO BE IN PLACE AND RECOGNITION OF PRIOR LEARNING |
Learners should have attained the outcomes of NQF Level 3 outcomes regarding mathematics, literacy, computers and music in the Further Education and Training (FET) Band, before embarking on learning towards this Unit Standard (since this Unit Standard builds on these competencies). Life Skills level 2 is recommended. |
UNIT STANDARD RANGE |
Reverb time 0.3 - 30.0s
Reverb fusion 0 - 10 Iinitial delay 0.1 - 200ms Density 0 - 3 Low pass filter 1.0kHz - Thru Hi pass filter thru - 8.0kHz Reverb delay 0.1 - 85.0ms Reverb balance 0 - 100% |
Specific Outcomes and Assessment Criteria: |
SPECIFIC OUTCOME 1 |
Evaluate and identify simulated environmental reverb sound equipment to create sound. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
Input signal gain control is identified and evaluated to ensure attainment of required levels |
ASSESSMENT CRITERION 2 |
Pre-set selection is identified and evaluated to ensure required sound |
ASSESSMENT CRITERION 3 |
Equalisation function is identified and evaluated to determine the specified frequencies gain or attenuation |
ASSESSMENT CRITERION 4 |
Output gain control is identified and evaluated to determine level |
ASSESSMENT CRITERION 5 |
Reverb time is identified and evaluated to determine reflection times |
ASSESSMENT CRITERION 6 |
Initial delay is identified and evaluated to determine timing before the reverb starts taking effect |
ASSESSMENT CRITERION 7 |
Reverb balance/mix between wet and dry is identified and evaluated to determine the effect and source signal balance |
ASSESSMENT CRITERION 8 |
High pass filter is identified and evaluated to establish the impact of filtering high frequencies |
ASSESSMENT CRITERION 9 |
Low pass filter is identified and evaluated to establish the impact of low frequencies cut off |
ASSESSMENT CRITERION 10 |
Diffusion and density are identified and evaluated to determine requirements for optimal diffusion and density |
SPECIFIC OUTCOME 2 |
Perform line checks and monitoring procedures in reverb room simulation. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
Mono return signal is selected to ensure there are no phase problems |
ASSESSMENT CRITERION 2 |
Stereo return signal is selected to ensure true stereo image |
ASSESSMENT CRITERION 3 |
Sound source is sent to recorded track to ensure signal flow |
ASSESSMENT CRITERION 4 |
Sound source is sent to control room monitor to ensure sound source |
ASSESSMENT CRITERION 5 |
Sound source is sent to headphone mix to ensure signal flow |
ASSESSMENT CRITERION 6 |
Trouble shooting is implemented when required and problems evaluated to ensure sound quality, in a way that is safe to people and equipment |
SPECIFIC OUTCOME 3 |
Select specified reverb to create room simulation. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
Large hall simulation is selected to simulate effects |
ASSESSMENT CRITERION 2 |
Large live room with hard acoustic simulation is selected to simulate effects |
ASSESSMENT CRITERION 3 |
Reverb plate effect was selected to simulate effects |
ASSESSMENT CRITERION 4 |
Concert hall simulation was selected to simulate effects |
ASSESSMENT CRITERION 5 |
Small room with dead acoustic simulation was selected to simulate effects |
ASSESSMENT CRITERION 6 |
Small live room with hard acoustic simulation was selected to simulate effects |
ASSESSMENT CRITERION 7 |
Gated reverb effect was selected to simulate effects |
ASSESSMENT CRITERION 8 |
Large room with dead acoustic simulation is selected to simulate effects |
SPECIFIC OUTCOME 4 |
Apply the specified (Reverb) simulation to sound source. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
Sound source is received at reverb unit input to ensure signal flow |
ASSESSMENT CRITERION 2 |
Output is received at monitoring source to ensure signal flow |
ASSESSMENT CRITERION 3 |
Sound source is applied with auxiliary controls to enable sending signals to and from multiple channels |
ASSESSMENT CRITERION 4 |
Sound source is returned via auxiliary master return controls to ensure signal flow |
ASSESSMENT CRITERION 5 |
Reverb effects are applied to line inputs to ensure a wet sound source |
ASSESSMENT CRITERION 6 |
Reverb effects are applied to microphone inputs to ensure a wet sound source |
SPECIFIC OUTCOME 5 |
Evaluate and apply basic editing on (Reverb) effects. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
Input signal gain control is adjusted for required input level to ensure adequate level readings |
ASSESSMENT CRITERION 2 |
Equaliser functions are edited to specified parameters to ensure the required results |
ASSESSMENT CRITERION 3 |
Reverb time length is determined and adjusted according to requirements |
ASSESSMENT CRITERION 4 |
Initial and reverb delays are adjusted for the specified time between direct sound and early reflections, to manipulate the delay time |
ASSESSMENT CRITERION 5 |
Reverb balance/mix between wet and dry is adjusted to specified requirements and determine the effect on the source |
ASSESSMENT CRITERION 6 |
High pass and low pass filters are adjusted to eliminate unwanted frequencies |
ASSESSMENT CRITERION 7 |
Diffusion is adjusted according to requirements |
ASSESSMENT CRITERION 8 |
Density requirements are determined and applied, optimally |
UNIT STANDARD ACCREDITATION AND MODERATION OPTIONS |
UNIT STANDARD ESSENTIAL EMBEDDED KNOWLEDGE |
Credited learners understand and can explain:
|
UNIT STANDARD DEVELOPMENTAL OUTCOME |
N/A |
UNIT STANDARD LINKAGES |
N/A |
Critical Cross-field Outcomes (CCFO): |
UNIT STANDARD CCFO IDENTIFYING |
Identify and solve problems when troubleshooting· Employ self management when creating room simulations in general |
UNIT STANDARD CCFO ORGANISING |
Employ self management when creating room simulations in general |
UNIT STANDARD CCFO COLLECTING |
Manage information performing line checks and monitoring procedures in reverb room simulation |
UNIT STANDARD CCFO DEMONSTRATING |
Demonstrate basic technological competence when creating room simulations in general |
UNIT STANDARD CCFO CONTRIBUTING |
Understand contextual world-systems when selecting specified reverb to create room simulation |
UNIT STANDARD ASSESSOR CRITERIA |
N/A |
REREGISTRATION HISTORY |
As per the SAQA Board decision/s at that time, this unit standard was Reregistered in 2012; 2015. |
UNIT STANDARD NOTES |
N/A |
QUALIFICATIONS UTILISING THIS UNIT STANDARD: |
ID | QUALIFICATION TITLE | PRE-2009 NQF LEVEL | NQF LEVEL | STATUS | END DATE | PRIMARY OR DELEGATED QA FUNCTIONARY | |
Core | 67462 | Further Education and Training Certificate: Music Industry: Sound Technology | Level 4 | NQF Level 04 | Passed the End Date - Status was "Reregistered" |
2023-06-30 | As per Learning Programmes recorded against this Qual |
PROVIDERS CURRENTLY ACCREDITED TO OFFER THIS UNIT STANDARD: |
This information shows the current accreditations (i.e. those not past their accreditation end dates), and is the most complete record available to SAQA as of today. Some Primary or Delegated Quality Assurance Functionaries have a lag in their recording systems for provider accreditation, in turn leading to a lag in notifying SAQA of all the providers that they have accredited to offer qualifications and unit standards, as well as any extensions to accreditation end dates. The relevant Primary or Delegated Quality Assurance Functionary should be notified if a record appears to be missing from here. |
1. | Facilitation Development (PTY) LTD |
2. | Greater Tzaneen Community Foundation |
3. | HILLCROSS BUSINESS SCHOOL (PTY |
4. | Q-NOTE DIGITAL MUSIC ACADEMY |
5. | Together Lifestyle Resort Pty Ltd |
All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source. |